R&B At A Crossroads One thing even a casual music fan could note about the times after what I might call the "LaFace Era"--so named after the co-founders of LaFace Records, Antonio "LA" Reid and Kenneth "Babyface" Edmonds from about 1988-2000--is the seeming omnipresence of hip-hop/rap as the face (pardon the pun) of Black music. I recall anecdotally that rap, R&B, and even soul could be distinguished. If you wanted rap, you consumed radio that provided it. If you wanted soul, you got soul, and that alone. "R&B" (which used to stand for 'rhythm and blues') was and is an ambiguous term, because it denotes both the fast and the slow, percussive and vocal. It isn't that hip-hop and soul are inherently hostile and opposed, but it seemed until very recently that the forms respected the distinct but occasionally overlapping audiences. I think certainly what we see today is hip-hop entirely subsuming R&B and soul. The crossov...
A Christian blog, because: "For from him and through him and to him are all things. To him be the glory forever! Amen." (Romans 11:36)