I was thinking about my favorite movies, and especially what makes them effective in terms of pathos. The writer sets up for the things he wants you to feel; he or she seeds the ground, so to speak, so that when the big climax comes, it doesn't feel forced, cheap, or silly. One of the great things about the troika of William Shatner, Leonard Nimoy, and DeForest Kelley--better known as Kirk, Spock, and McCoy--is that those actors spent a lot of time thinking about their characters in relation to the others. What would it be like if I were this guy, and these other two guys were my closest friends in the universe? Everything you would say, or could say, changes as a result. In the greatest scene in Star Trek history--the climax of The Wrath of Khan--the whole thing was set up by another scene in Spock's quarters. Kirk just found out that someone has blocked his radio transmission with Dr. Carol Marcus, as they tried to find out who is playing games with Marcus's Genesis proje...
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