There's something oddly existential about this . It resonates deeply, but not as much as it might, because I don't think we get a choice to make our meaning, or to imagine our audience. Whichever one we have, we may not even know all that much about them, unless they choose to interact with us, or us vice-versa. But I really don't know much about literary criticism. What I do know is that the indomitable Alan Noble of Christ and Pop Culture said he was leery of critics becoming artists, presumably because it was yet another derivation from that which was created. That, or artists don't like others making a buck off of them. In fairness, all kidding aside, I think Alan simply wants to recognize the distinction in what the artist and the critic are doing, and that's fair enough. (I'd quote you, Alan, but I can't find it. I hope you trust me.) In broad outline though, Hirsch's analysis here is amazing, because it hits upon the central resonant truth of th
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